Zar : spirit possession, music, and healing rituals in Egypt / Hager El Hadidi.
Material type:
TextPublisher: Cairo : New York : American University in Cairo Press, [2016]Description: 180 pages, 8 unnumbered pages of plates : colour illustrations ; 24 cmContent type: - text
- unmediated
- volume
- 9789774166976
- 9774166973
- Zār -- Egypt
- Spiritual healing -- Egypt
- Medicine, Magic, mystic, and spagiric -- Egypt
- Spirit possession -- Egypt
- Music -- Egypt -- Religious aspects
- Healing -- Religious aspects
- Healing -- Religious aspects
- Medicine, Magic, mystic, and spagiric
- Music -- Religious aspects
- Spirit possession
- Spiritual healing
- Zār
- Egypt
- 21 390.24\ CC\H Z
| Cover image | Item type | Current library | Home library | Collection | Shelving location | Call number | Materials specified | Vol info | URL | Copy number | Status | Notes | Date due | Barcode | Item holds | Item hold queue priority | Course reserves | |
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كتاب
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مكتبة القاهرة الكبرى | 390.24\ CC\H Z (Browse shelf(Opens below)) | Available | 164268 |
Includes bibliographical references (pages 161-171) and index.
"Zar is both a possessing spirit and a set of reconciliation rites between the spirits and their human hosts: living in a parallel yet invisible world, the capricious spirits manifest their anger by causing ailments for their hosts, which require ritual reconciliation, a private sacrificial rite practiced routinely by the afflicted devotees. Originally spread from Ethiopia to the Red Sea and the Arabian Gulf through the nineteenth-century slave trade, in Egypt zar has incorporated elements from popular Islamic Sufi practices, including devotion to Christian and Muslim saints. The ceremonies initiate devotees-the majority of whom are Muslim women-into a community centered on a cult leader, a membership that provides them with moral orientation, social support, and a sense of belonging. Practicing zar rituals, dancing to zar songs, and experiencing trance restore their well-being, which had been compromised by gender asymmetry and globalization.This new ethnographic study of zar in Egypt is based on the author's two years of multi-sited fieldwork and firsthand knowledge as a participant, and her collection and analysis of more than three hundred zar songs, allowing her to access levels of meaning that had previously been overlooked. The result is a comprehensive and accessible exposition of the history, culture, and waning practice of zar in a modernizing world"--Front flap of book jacket.
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