<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[ Search for 'su:&quot;ARTS, HISTORY AND CRITICISM&quot;']]> </title> <!-- prettier-ignore-start --> <link> /cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22ARTS%2C%20HISTORY%20AND%20CRITICISM%22&#38;sort_by=relevance&#38;format=rss </link> <!-- prettier-ignore-end --> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22ARTS%2C%20HISTORY%20AND%20CRITICISM%22&#38;sort_by=relevance&#38;format=rss" /> <description> <![CDATA[ Search results for 'su:&quot;ARTS, HISTORY AND CRITICISM&quot;' at ]]> </description> <opensearch:totalResults>44</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22ARTS%2C%20HISTORY%20AND%20CRITICISM%22&#38;sort_by=relevance&#38;format=opensearchdescription" /> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dsu%253A%2522ARTS%252C%2520HISTORY%2520AND%2520CRITICISM%2522" startPage="" /> <item> <title> DAVID TO DELACROIX / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17449</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By FRIEDLAENDER, WALTER.<br /> [S.N] : HARVARD UNVIERSITY PRESS ، 1980 .<br /> 106 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17449">Place hold on <em>DAVID TO DELACROIX / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17449</guid> </item> <item> <title> THE HANDBOOK OF ART THERAPY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17450</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By CASE, CAROLINE.<br /> [S.N] : ROUTLEDGE ، 1993 .<br /> 261 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17450">Place hold on <em>THE HANDBOOK OF ART THERAPY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17450</guid> </item> <item> <title> WREN / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17483</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By WHINNEY, MARGARET.<br /> [S.N] : THOMES AND HUDSON ، 1985 .<br /> 216 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17483">Place hold on <em>WREN / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17483</guid> </item> <item> <title> AFRICAN ART: AN INTRODUCTION / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17656</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By WILLETT, FRANK.<br /> [S.N] : THAMES AND HUDSON ، 1993 .<br /> 288 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17656">Place hold on <em>AFRICAN ART: AN INTRODUCTION / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17656</guid> </item> <item> <title> THE HISTORY AND TECHNIQUES OF THE GREAT MASTERS, MANET / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18767</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BOLTON, LINDA.<br /> [S.N] : TIGER BOOKS INTERNATIONAL ، 1993 .<br /> 64 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18767">Place hold on <em>THE HISTORY AND TECHNIQUES OF THE GREAT MASTERS, MANET / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18767</guid> </item> <item> <title> THE HISTORY AND TECHINQUES OF THE GREAT MASTERS GAUGUIN / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18768</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BOLTON, LINDA.<br /> [S.N] : TIGER BOOKS INTERNATIONAL ، 1989 .<br /> 64 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18768">Place hold on <em>THE HISTORY AND TECHINQUES OF THE GREAT MASTERS GAUGUIN / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18768</guid> </item> <item> <title> SURREALIST ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18773</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By ALEXANDRIAN, SARANE.<br /> [S.N] : THAMES AND HUDSON ، 1993 .<br /> 256 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18773">Place hold on <em>SURREALIST ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18773</guid> </item> <item> <title> ART OF THE CELTS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18774</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By LAING, JENNIFER.<br /> [S.N] : THAMES AND HUDSON ، 1992 .<br /> 216 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18774">Place hold on <em>ART OF THE CELTS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18774</guid> </item> <item> <title> THE HISTORY AND TECHNIQUES OF THE GREAT MASTERS DEGAS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18776</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BOLTON, LINDA.<br /> [S.N] : TIGER BOOKS INTERNATIONAL ، 1989 .<br /> 64 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18776">Place hold on <em>THE HISTORY AND TECHNIQUES OF THE GREAT MASTERS DEGAS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18776</guid> </item> <item> <title> WATER COLOURS: A CONCISE HISTORY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18777</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By REYNALDS, GRAHAN.<br /> [S.N] : THAMES AND HUDSON ، 1993 .<br /> 216 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18777">Place hold on <em>WATER COLOURS: A CONCISE HISTORY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18777</guid> </item> <item> <title> IRISH ART: A CONCISE HISTORY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18778</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By ARNOLD, BRUCE.<br /> [S.N] : THAMES AND HUDSON ، 1991 .<br /> 180 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18778">Place hold on <em>IRISH ART: A CONCISE HISTORY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18778</guid> </item> <item> <title> VICTORIAN PAINTING / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18779</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By TREUHERZ, JULIAN.<br /> [S.N] : THAMES AND HUDSON ، 1993 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18779">Place hold on <em>VICTORIAN PAINTING / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18779</guid> </item> <item> <title> THE HISTORY AND TECHNIQUES OF THE GREAT MASTERS TOULOUSE-LOUREC / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18780</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By ACKROYD, CHRISTOPHER.<br /> [S.N] : TIGER BOOKS INTERNATIONAL ، 1993 .<br /> 216 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18780">Place hold on <em>THE HISTORY AND TECHNIQUES OF THE GREAT MASTERS TOULOUSE-LOUREC / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18780</guid> </item> <item> <title> THE HISTORY AND TECHNIQUES OF THE GREAT MASTERS PISSARRO / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18781</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By SELIGMAN, PATRICIA.<br /> [S.N] : TIGER BOOKS INTERNATIONAL ، 1993 .<br /> 64 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18781">Place hold on <em>THE HISTORY AND TECHNIQUES OF THE GREAT MASTERS PISSARRO / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18781</guid> </item> <item> <title> THE HISTORY AND TECHNIQUES OF THE GREAT MASTERS RUBEMD / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18786</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MARRALL, AMDREW.<br /> [S.N] : TIGER BOOKS INTERNATIONAL ، 1989 .<br /> 64 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18786">Place hold on <em>THE HISTORY AND TECHNIQUES OF THE GREAT MASTERS RUBEMD / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18786</guid> </item> <item> <title> AMEDEO MODIGLIANI / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18787</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By WERNER, ALFRED.<br /> [S.N] : THAMES AND HUDSON ، 1990 .<br /> 126 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18787">Place hold on <em>AMEDEO MODIGLIANI / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18787</guid> </item> <item> <title> THE ARTS AND CRAFTS MOVEMENT / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18788</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By CUMMING, ELIZABETH.<br /> [S.N] : THAMES AND HUDSON ، 1993 .<br /> 216 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18788">Place hold on <em>THE ARTS AND CRAFTS MOVEMENT / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18788</guid> </item> <item> <title> PICASSO / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18791</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By HILTON, TIMOTHY.<br /> [S.N] : THAMES AND HUDSON ، 1992 .<br /> 288 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18791">Place hold on <em>PICASSO / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18791</guid> </item> <item> <title> EGON SCHIELE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18793</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By WHITFORD, FRAK.<br /> [S.N] : THAMES AND HUDSON ، 1993 .<br /> 216 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18793">Place hold on <em>EGON SCHIELE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18793</guid> </item> <item> <title> THE PRE-RAPHAELITES / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18794</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By HILTON, TIMOTHY.<br /> [S.N] : THAMES AND HUDSON ، 1993 .<br /> 216 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18794">Place hold on <em>THE PRE-RAPHAELITES / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18794</guid> </item> <item> <title> THE ART MESO-AMERICA FROM OLMEC TO AZTEC / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18795</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MILLER, MARY ELLEN.<br /> [S.N] : THAMES AND HUDSON ، 1993 .<br /> 240 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18795">Place hold on <em>THE ART MESO-AMERICA FROM OLMEC TO AZTEC / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18795</guid> </item> <item> <title> THE HISTORY AND TECHIQUES THE MASTERS REMBRANDT / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18804</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MARRALL, AMDREW.<br /> [S.N] : TIGER BOOKS INTERNATIONAL ، 1989 .<br /> 64 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18804">Place hold on <em>THE HISTORY AND TECHIQUES THE MASTERS REMBRANDT / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18804</guid> </item> <item> <title> VENETIAN PAINTING: ACONCISE HISTARY </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18806</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> [S.N] : THAMES AND HUDSON ، 1993 .<br /> 216 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18806">Place hold on <em>VENETIAN PAINTING: ACONCISE HISTARY</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18806</guid> </item> <item> <title> SYMBOLIST ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18811</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By LUCIE-SMITH, EDWARD.<br /> [S.N] : THAMES AND HUDSON ، 1993 .<br /> 216 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18811">Place hold on <em>SYMBOLIST ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18811</guid> </item> <item> <title> GOTHIC ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18817</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MARTINDALE, ANDREW.<br /> [S.N] : THAMES AND HUDSON ، 1991 .<br /> 287 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18817">Place hold on <em>GOTHIC ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18817</guid> </item> <item> <title> LATIN AMIRICAN ART OF THE 20TH CENTURY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18818</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By LUCIE-SMITH, EDWARD.<br /> [S.N] : THAMES AND HUDSON ، 1993 .<br /> 216 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18818">Place hold on <em>LATIN AMIRICAN ART OF THE 20TH CENTURY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18818</guid> </item> <item> <title> MINOAN AND MYCENAEAN ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18822</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By HIGGINS, REGNOLD.<br /> [S.N] : THAMES AND HUDSON ، 1992 .<br /> 216 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18822">Place hold on <em>MINOAN AND MYCENAEAN ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18822</guid> </item> <item> <title> THE THAMES AND HUDSON: DICTIONARY OF ART TERMS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18824</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By LUCIE-SMITH, EDWARD.<br /> [S.N] : THAMES AND HUDSON ، 1993 .<br /> 208 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18824">Place hold on <em>THE THAMES AND HUDSON: DICTIONARY OF ART TERMS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18824</guid> </item> <item> <title> JAPANESE ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18840</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By STANLEY-BAKER, JOAN.<br /> [S.N] : THAMES AND HUDSON ، 1992 .<br /> 216 PP </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18840">Place hold on <em>JAPANESE ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18840</guid> </item> <item> <title> CHINESE ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18841</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By TREGAR, MARY.<br /> [S.N] : THAMES AND HUDSON ، 1993 .<br /> 216 PP </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18841">Place hold on <em>CHINESE ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18841</guid> </item> <item> <title> EDGAR- HILAIRE- GERMAIN DEGAS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18844</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By RICH, DANIEL CATTON.<br /> [S.N] : THAMES AND HUDSON ، 1989 .<br /> 126 PP </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18844">Place hold on <em>EDGAR- HILAIRE- GERMAIN DEGAS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18844</guid> </item> <item> <title> THE RENAISSANCE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18880</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By COLE, ALSON.<br /> [S.N] : DORLING KINDERSLEY ، 1994 .<br /> 64 PP </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18880">Place hold on <em>THE RENAISSANCE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18880</guid> </item> <item> <title> POST -IMPRESSIONISM / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18881</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By WIGGINS, COLIN.<br /> [S.N] : DORLING KINDERSLEY ، 1993 .<br /> 64 PP </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18881">Place hold on <em>POST -IMPRESSIONISM / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18881</guid> </item> <item> <title> IMPRESSIONISM / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18884</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By WELTON, JUDE.<br /> [S.N] : DORLING KINDERSLEY ، 1993 .<br /> 64 PP </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18884">Place hold on <em>IMPRESSIONISM / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18884</guid> </item> <item> <title> STUDIES IN POST - IMPRESSIONISM / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18913</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By REWALD, JOHN.<br /> [S.N] : THAMES AND HUDSON ، 1986 .<br /> 295 PP </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18913">Place hold on <em>STUDIES IN POST - IMPRESSIONISM / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18913</guid> </item> <item> <title> THE HISTORY AND TECHNIQUES OF THE GREAT MASTERS TITIAN / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18946</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By GILL, IAIN D..<br /> [S.N] : TIGER BOOKS INTERNATIONAL ، 1989 .<br /> 64 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18946">Place hold on <em>THE HISTORY AND TECHNIQUES OF THE GREAT MASTERS TITIAN / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18946</guid> </item> <item> <title> RAOUL DUFY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18953</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By WERNER, ALFRED.<br /> [S.N] : THAMES AND HUDSON ، 1987 .<br /> 128 PP </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18953">Place hold on <em>RAOUL DUFY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18953</guid> </item> <item> <title> BAROQUE ET CLASSICISME / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=19059</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MARINA, MORALES.<br /> [S.N] : LAROUSSE ، 1992 .<br /> 441 PP </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=19059">Place hold on <em>BAROQUE ET CLASSICISME / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=19059</guid> </item> <item> <title> TAIGA&#39;S TRUE VIEWS: THE LANGUAGE OF LANDSCAPE PAINTING IN EIGHTEETH CENTURY JAPAN / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=19076</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By TAKEUCHI, MELINA.<br /> [S.N] : STANFORD UNIVERSITY PRESS ، 1992 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=19076">Place hold on <em>TAIGA&#39;S TRUE VIEWS: THE LANGUAGE OF LANDSCAPE PAINTING IN EIGHTEETH CENTURY JAPAN / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=19076</guid> </item> <item> <title> CHARLIE CHAPLIN / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=19085</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BESSY, MAURICE.<br /> [S.N] : PYGMALION\GERARD WATELET ، 1983 .<br /> 349 PP </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=19085">Place hold on <em>CHARLIE CHAPLIN / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=19085</guid> </item> <item> <title> REMBRANDT: A CRITICAL ESSAY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=19600</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BREAL, AUGUSTE.<br /> [S.N] : DUCKWORTH &amp; CO. ، 1902 .<br /> 168 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=19600">Place hold on <em>REMBRANDT: A CRITICAL ESSAY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=19600</guid> </item> <item> <title> FRENCH ART : AN ILLUSTRATED SOUVENIR OF THE EXHIBITION OF FRENCH ART AT THE ROYAL ACADEMY OF ARTS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=20486</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By ROYAL ACADEMY OF ARTS.<br /> انجلترا : WILLIAM COLLINS SONS &amp; LTD ، 1932 .<br /> 22 CM ؛ 110 P.<br /> </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=20486">Place hold on <em>FRENCH ART : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=20486</guid> </item> <item> <title> A WORLD HISTORY OF ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=24000</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By HONOUR,HUGH.<br /> [S.N] : LAURENCE KING ، 1995 .<br /> 864 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=24000">Place hold on <em>A WORLD HISTORY OF ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=24000</guid> </item> <item> <title> PICASSO / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=66531</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Boone, Daniele.<br /> Paris : Fernand Hazan ، 1988 .<br /> 138 p. : 30 cm..<br /> </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=66531">Place hold on <em>PICASSO / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=66531</guid> </item> </channel> </rss>
