<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[ Search for 'su:&quot;ARTS, MODERN&quot;']]> </title> <!-- prettier-ignore-start --> <link> /cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22ARTS%2C%20MODERN%22&#38;sort_by=relevance&#38;format=rss </link> <!-- prettier-ignore-end --> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22ARTS%2C%20MODERN%22&#38;sort_by=relevance&#38;format=rss" /> <description> <![CDATA[ Search results for 'su:&quot;ARTS, MODERN&quot;' at ]]> </description> <opensearch:totalResults>16</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22ARTS%2C%20MODERN%22&#38;sort_by=relevance&#38;format=opensearchdescription" /> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dsu%253A%2522ARTS%252C%2520MODERN%2522" startPage="" /> <item> <title> ORIENTALISM: HISTORY, THEORY AND THE ARTS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11272</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MACKENZIE, JOHN M.<br /> [S.N] : MANCHESTER UNIVERSITY </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11272">Place hold on <em>ORIENTALISM: HISTORY, THEORY AND THE ARTS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11272</guid> </item> <item> <title> CONTEMPORARY PAINTING / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12187</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By ACALEMY GROUP.<br /> [S.N] : ACADEMY GROUP ، 1992 .<br /> 96P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12187">Place hold on <em>CONTEMPORARY PAINTING / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12187</guid> </item> <item> <title> ART INTO IDEAS: ESSAYS ON CONCEPTUAL ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=13938</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MORGAN, ROBERT C.<br /> [S.N] : CAMBRIDGE UNIVERSITY PRESS ، 1996 .<br /> 218 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=13938">Place hold on <em>ART INTO IDEAS: ESSAYS ON CONCEPTUAL ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=13938</guid> </item> <item> <title> L'ART MODERNE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=14106</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By LYNTON, NORBERT.<br /> [S.N] : FLAMMARION ، 1994 .<br /> 400 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=14106">Place hold on <em>L'ART MODERNE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=14106</guid> </item> <item> <title> PASSIONS PRIVEES: COLLECTIONS PARTICULIERES D' ART MODEREN ET CONTEMPORAIN EN FRANCE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=14203</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By PAGE, SUZANNE.<br /> [S.N] : MUSEE D' ART MODERNE DE LA VILE ، 1996 .<br /> 719 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=14203">Place hold on <em>PASSIONS PRIVEES: COLLECTIONS PARTICULIERES D' ART MODEREN ET CONTEMPORAIN EN FRANCE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=14203</guid> </item> <item> <title> THE GLORY OF VENICE ART IN THE EIGHTEENTH CENTURY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=14213</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MARTINEAU, JANE.<br /> [S.N] : ANGLO EGYPTIAN BOOK SHOP ، 1994 .<br /> 528 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=14213">Place hold on <em>THE GLORY OF VENICE ART IN THE EIGHTEENTH CENTURY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=14213</guid> </item> <item> <title> UNDERSTANDING MODERN ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=14735</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By COOK, DUCHEN.<br /> [S.N] : USBORNE PUBLISHING LTD ، 1991 .<br /> 64 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=14735">Place hold on <em>UNDERSTANDING MODERN ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=14735</guid> </item> <item> <title> RUSSIAN ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=14893</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By RICE, TAMARA TALBOT.<br /> [S.N] : PENGUIN BOOKS ، 1949 .<br /> 276 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=14893">Place hold on <em>RUSSIAN ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=14893</guid> </item> <item> <title> CONTEMPORARY BRITISH ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15188</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By READ, HERBERT.<br /> [S.N] : PENGUIN BOOKS ، 1951 .<br /> 48 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15188">Place hold on <em>CONTEMPORARY BRITISH ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15188</guid> </item> <item> <title> DROUAT 1990: L'ART ET LES ENCHERES EN FRANCE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15221</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MILLON, JAEL MARIE.<br /> [S.N] : COMPAGNIE DES COMMISSAIRES ، 1990 .<br /> 367 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15221">Place hold on <em>DROUAT 1990: L'ART ET LES ENCHERES EN FRANCE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15221</guid> </item> <item> <title> THE STUDIO: THE FINE ARTS, HOME DECORATION AND DESIGN / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15513</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By THE STUDIO LIMITED.<br /> .<br /> 188 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15513">Place hold on <em>THE STUDIO: THE FINE ARTS, HOME DECORATION AND DESIGN / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15513</guid> </item> <item> <title> NEW ART FROM EASTERN EUROPE IDENTITY AND CONFLICT / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15677</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By VCH PUBLISHERS.<br /> [S.N] : ART AND DESIGN ، 1994 .<br /> 96 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15677">Place hold on <em>NEW ART FROM EASTERN EUROPE IDENTITY AND CONFLICT / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15677</guid> </item> <item> <title> SURREALIST ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18773</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By ALEXANDRIAN, SARANE.<br /> [S.N] : THAMES AND HUDSON ، 1993 .<br /> 256 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18773">Place hold on <em>SURREALIST ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18773</guid> </item> <item> <title> EDVARD MUNCH / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=23872</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MESSER,THOMAS M..<br /> [S.N] : THAMES AND HUDSON ، 1987 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=23872">Place hold on <em>EDVARD MUNCH / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=23872</guid> </item> <item> <title> POSTMODERNISM AND POPULAR CULTURE: ACULTURAL HISTORY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=24384</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By DOCKER, JOHN.<br /> [S.N] : CAMBRIBGE UNIVERSITY PRESS ، 1995 .<br /> 313 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=24384">Place hold on <em>POSTMODERNISM AND POPULAR CULTURE: ACULTURAL HISTORY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=24384</guid> </item> <item> <title> THE STUDIO / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=25825</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By THE STUDIO LIMITED.<br /> [S.N] : THE STUDIO .<br /> 109 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=25825">Place hold on <em>THE STUDIO / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=25825</guid> </item> </channel> </rss>
