<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[ Search for 'su:&quot;HARMONY&quot;']]> </title> <!-- prettier-ignore-start --> <link> /cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22HARMONY%22&#38;sort_by=relevance&#38;format=rss </link> <!-- prettier-ignore-end --> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22HARMONY%22&#38;sort_by=relevance&#38;format=rss" /> <description> <![CDATA[ Search results for 'su:&quot;HARMONY&quot;' at ]]> </description> <opensearch:totalResults>4</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22HARMONY%22&#38;sort_by=relevance&#38;format=opensearchdescription" /> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dsu%253A%2522HARMONY%2522" startPage="" /> <item> <title> FEATURES PRINCIPALES AND TECHNIQVE OF INDIAN MUSIC / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11038</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By H,STRANGWAYS . A.<br /> [S.N] : KANISHKA PUBLISHING HOUSE ، 1989 .<br /> 364P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11038">Place hold on <em>FEATURES PRINCIPALES AND TECHNIQVE OF INDIAN MUSIC / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11038</guid> </item> <item> <title> MUSIC: IN THEORY AND PRACTICE V.2 / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11844</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BENWARD,BRUCE WHIT, GARY.<br /> [S.N] : WCB BROWN &amp; BENCHANARK ، 1993 .<br /> 366 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11844">Place hold on <em>MUSIC: IN THEORY AND PRACTICE V.2 / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11844</guid> </item> <item> <title> HARMONIZATION AT THE PIANO / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11929</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By FRACKENPOHL, ARTHUR.<br /> [S.N] : WCB BROWN &amp; BENCHANARK ، 1991 .<br /> 262 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11929">Place hold on <em>HARMONIZATION AT THE PIANO / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11929</guid> </item> <item> <title> COLOUR HARMONY 2 / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=21152</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By WHELAN, BRIDE M..<br /> [S.N] : THAMES AND HUDSON ، 1994 .<br /> 160 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=21152">Place hold on <em>COLOUR HARMONY 2 / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=21152</guid> </item> </channel> </rss>
