<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[ Search for 'su:&quot;MODERN ART&quot;']]> </title> <!-- prettier-ignore-start --> <link> /cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22MODERN%20ART%22&#38;sort_by=relevance&#38;format=rss </link> <!-- prettier-ignore-end --> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22MODERN%20ART%22&#38;sort_by=relevance&#38;format=rss" /> <description> <![CDATA[ Search results for 'su:&quot;MODERN ART&quot;' at ]]> </description> <opensearch:totalResults>37</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22MODERN%20ART%22&#38;sort_by=relevance&#38;format=opensearchdescription" /> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dsu%253A%2522MODERN%2520ART%2522" startPage="" /> <item> <title> ALEXANDER CALNDER 1898- 1976 / </title> <dc:identifier>ISBN:0894682288</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=4720</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By ROWER, ALEXANDER S.C.<br /> نيويورك : NATIONAL GALLERY OF ART ، 1998 .<br /> 367 P 28 cm..<br /> 0894682288 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=4720">Place hold on <em>ALEXANDER CALNDER 1898- 1976 / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=4720</guid> </item> <item> <title> HISTOIRE DE L'ART : L'EPANOUISSEMENT DE L'ART MODERNE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=10897</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By CHATELET, ALBERT.<br /> [S.N] : PEFERENAS LAROUSE ، 1992 .<br /> 289P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=10897">Place hold on <em>HISTOIRE DE L'ART : L'EPANOUISSEMENT DE L'ART MODERNE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=10897</guid> </item> <item> <title> HISTOIRE DE LA PEINTURE SURREALISTE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11070</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By PASSERON, RENE.<br /> [S.N] : LE LIVRE DE POCHE ، 1968 .<br /> 380 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11070">Place hold on <em>HISTOIRE DE LA PEINTURE SURREALISTE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11070</guid> </item> <item> <title> MAX BECKMANN / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11447</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By LACKNER, STEPHAN.<br /> [S.N] : THAMES AND HUDSON ، 1991 .<br /> 127 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11447">Place hold on <em>MAX BECKMANN / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11447</guid> </item> <item> <title> A CONCISE HISTORY OF MODERN PAINTING / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11551</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By READ, HERBERT.<br /> [S.N] : THAMES AND HUDSON ، 1995 .<br /> 392 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11551">Place hold on <em>A CONCISE HISTORY OF MODERN PAINTING / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11551</guid> </item> <item> <title> NEW ART: AN INTERNATIONAL SURVEY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12179</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By HODGER, NICOLA.<br /> [S.N] : ACADEMY EDITIONS ، 1991 .<br /> 264P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12179">Place hold on <em>NEW ART: AN INTERNATIONAL SURVEY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12179</guid> </item> <item> <title> CONTEMPORARY PAINTING / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12187</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By ACALEMY GROUP.<br /> [S.N] : ACADEMY GROUP ، 1992 .<br /> 96P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12187">Place hold on <em>CONTEMPORARY PAINTING / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12187</guid> </item> <item> <title> L'ECOLE DE PARIS: AU MUSEE NATIONAL D'ART MODERNE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12325</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By DORIVAL, BERNARD.<br /> [S.N] : EDITION, HINERY SOMOGY ، 1961 .<br /> 324 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12325">Place hold on <em>L'ECOLE DE PARIS: AU MUSEE NATIONAL D'ART MODERNE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12325</guid> </item> <item> <title> GOYA YEL GUSTO MODERNO / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=13347</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BOZAL, VALERIANO.<br /> [S.N] : ALIANZA EDITORIAL ، 1994 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=13347">Place hold on <em>GOYA YEL GUSTO MODERNO / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=13347</guid> </item> <item> <title> 29 ARTISTS IN THE MUSEUM OF EGYPTAIN MODERN / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=13545</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By ISMAIL, FATMA.<br /> [S.N] : AICA ، 1995 .<br /> 112 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=13545">Place hold on <em>29 ARTISTS IN THE MUSEUM OF EGYPTAIN MODERN / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=13545</guid> </item> <item> <title> ART INTO IDEAS: ESSAYS ON CONCEPTUAL ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=13938</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MORGAN, ROBERT C.<br /> [S.N] : CAMBRIDGE UNIVERSITY PRESS ، 1996 .<br /> 218 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=13938">Place hold on <em>ART INTO IDEAS: ESSAYS ON CONCEPTUAL ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=13938</guid> </item> <item> <title> L'ART MODERNE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=14106</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By LYNTON, NORBERT.<br /> [S.N] : FLAMMARION ، 1994 .<br /> 400 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=14106">Place hold on <em>L'ART MODERNE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=14106</guid> </item> <item> <title> PASSIONS PRIVEES: COLLECTIONS PARTICULIERES D' ART MODEREN ET CONTEMPORAIN EN FRANCE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=14203</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By PAGE, SUZANNE.<br /> [S.N] : MUSEE D' ART MODERNE DE LA VILE ، 1996 .<br /> 719 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=14203">Place hold on <em>PASSIONS PRIVEES: COLLECTIONS PARTICULIERES D' ART MODEREN ET CONTEMPORAIN EN FRANCE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=14203</guid> </item> <item> <title> THE GLORY OF VENICE ART IN THE EIGHTEENTH CENTURY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=14213</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MARTINEAU, JANE.<br /> [S.N] : ANGLO EGYPTIAN BOOK SHOP ، 1994 .<br /> 528 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=14213">Place hold on <em>THE GLORY OF VENICE ART IN THE EIGHTEENTH CENTURY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=14213</guid> </item> <item> <title> UNDERSTANDING MODERN ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=14735</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By COOK, DUCHEN.<br /> [S.N] : USBORNE PUBLISHING LTD ، 1991 .<br /> 64 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=14735">Place hold on <em>UNDERSTANDING MODERN ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=14735</guid> </item> <item> <title> RUSSIAN ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=14893</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By RICE, TAMARA TALBOT.<br /> [S.N] : PENGUIN BOOKS ، 1949 .<br /> 276 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=14893">Place hold on <em>RUSSIAN ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=14893</guid> </item> <item> <title> CONTEMPORARY BRITISH ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15188</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By READ, HERBERT.<br /> [S.N] : PENGUIN BOOKS ، 1951 .<br /> 48 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15188">Place hold on <em>CONTEMPORARY BRITISH ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15188</guid> </item> <item> <title> DROUAT 1990: L'ART ET LES ENCHERES EN FRANCE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15221</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MILLON, JAEL MARIE.<br /> [S.N] : COMPAGNIE DES COMMISSAIRES ، 1990 .<br /> 367 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15221">Place hold on <em>DROUAT 1990: L'ART ET LES ENCHERES EN FRANCE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15221</guid> </item> <item> <title> VINGT - CINQ ANS D'ART EN FRANCE 1960 - 1985 / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15297</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By LEMOINE, SERGE.<br /> [S.N] : JACQUES LEGRAND S.A ، 1986 .<br /> 355 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15297">Place hold on <em>VINGT - CINQ ANS D'ART EN FRANCE 1960 - 1985 / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15297</guid> </item> <item> <title> THE STUDIO: THE FINE ARTS, HOME DECORATION AND DESIGN / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15513</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By THE STUDIO LIMITED.<br /> .<br /> 188 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15513">Place hold on <em>THE STUDIO: THE FINE ARTS, HOME DECORATION AND DESIGN / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15513</guid> </item> <item> <title> NEW ART FROM EASTERN EUROPE IDENTITY AND CONFLICT / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15677</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By VCH PUBLISHERS.<br /> [S.N] : ART AND DESIGN ، 1994 .<br /> 96 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15677">Place hold on <em>NEW ART FROM EASTERN EUROPE IDENTITY AND CONFLICT / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15677</guid> </item> <item> <title> WORLD ARTISTS 1945 - 1980 AN H.W.WILSON BIOGRAPHY DICTIONARY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15789</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MARKS, CLAUDE.<br /> [S.N] : WILSON COMPANY ، 1984 .<br /> 912 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15789">Place hold on <em>WORLD ARTISTS 1945 - 1980 AN H.W.WILSON BIOGRAPHY DICTIONARY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15789</guid> </item> <item> <title> L'HISTOIRE DE L'HEURE: L'HORLOGERIE ET L'ORGANISATION MODERNE DU TEMPS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=16106</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By RESSUM, GERHARD DOHRN.<br /> [S.N] : EDITIONS DE LA MAISON DES SCEINCE DE L'H ، 1997 .<br /> 464 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=16106">Place hold on <em>L'HISTOIRE DE L'HEURE: L'HORLOGERIE ET L'ORGANISATION MODERNE DU TEMPS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=16106</guid> </item> <item> <title> A CONCISE HISTORY OF ART, PART II FROM THE RENAISSANCE TO THE PRESENT DAY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=19385</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BAZIN, GERMAIN.<br /> [S.N] : THAMES AND HUDSON .<br /> 543 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=19385">Place hold on <em>A CONCISE HISTORY OF ART, PART II FROM THE RENAISSANCE TO THE PRESENT DAY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=19385</guid> </item> <item> <title> L'ART MODERNE SUISSE DU HODER A'KLEE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=19495</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By CASSOCE, JEAN.<br /> [S.N] : MUSEE NATIONAL DE L'ART ARABE ، 1960 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=19495">Place hold on <em>L'ART MODERNE SUISSE DU HODER A'KLEE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=19495</guid> </item> <item> <title> POSTMODERNISM AND POPULAR CULTURE: ACULTURAL HISTORY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=24384</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By DOCKER, JOHN.<br /> [S.N] : CAMBRIBGE UNIVERSITY PRESS ، 1995 .<br /> 313 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=24384">Place hold on <em>POSTMODERNISM AND POPULAR CULTURE: ACULTURAL HISTORY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=24384</guid> </item> <item> <title> A HISTORY OF MODERN ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=24483</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By ARNASON, H.H..<br /> [S.N] : THAMES AND HUDSON ، 1986 .<br /> 744 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=24483">Place hold on <em>A HISTORY OF MODERN ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=24483</guid> </item> <item> <title> ART SINCE MID-CENTURY: 1945 TO THE PRESENT / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=24494</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By WHEELER, DANIEL.<br /> [S.N] : THAMES AND HUDSON ، 1991 .<br /> 344 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=24494">Place hold on <em>ART SINCE MID-CENTURY: 1945 TO THE PRESENT / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=24494</guid> </item> <item> <title> IMPRESSIONISM / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=24644</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By HOWARD, MICHAEL.<br /> [S.N] : MAGNA BOOKS ، 1988 .<br /> 192 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=24644">Place hold on <em>IMPRESSIONISM / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=24644</guid> </item> <item> <title> NEW ART FROM LATIN AMERICA: EXPANDING THE CONTINENT / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=25216</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By VCH.<br /> [S.N] : VCH PUBLISHERS ، 1994 .<br /> 96 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=25216">Place hold on <em>NEW ART FROM LATIN AMERICA: EXPANDING THE CONTINENT / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=25216</guid> </item> <item> <title> MODERNITY AND MONERNISM: FRENSH PAINTING IN THE NINETEETH CENTURY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=25219</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By FRASCINA, FRANCIS.<br /> [S.N] : YALE UNIVERSITY PRESS ، 1993 .<br /> 297 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=25219">Place hold on <em>MODERNITY AND MONERNISM: FRENSH PAINTING IN THE NINETEETH CENTURY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=25219</guid> </item> <item> <title> THE SHOCK OF THE NEW: ART AND CENTURY OF CHANGE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=25537</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By HUGHES, ROBERT.<br /> [S.N] : THAMES AND HUDSON ، 1993 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=25537">Place hold on <em>THE SHOCK OF THE NEW: ART AND CENTURY OF CHANGE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=25537</guid> </item> <item> <title> FRANK AWRBACH / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=25656</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By HUGHES, ROBERT.<br /> [S.N] : THAMES AND HUDSON ، 1992 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=25656">Place hold on <em>FRANK AWRBACH / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=25656</guid> </item> <item> <title> HOWARD HODGKIN / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=25688</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By DIXON, ANDREW S..<br /> [S.N] : THAMES AND HUDSON ، 1994 .<br /> 192 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=25688">Place hold on <em>HOWARD HODGKIN / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=25688</guid> </item> <item> <title> ART DECO AND MODERNIST CERAMICS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=25702</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MC CREADY, KAREN.<br /> [S.N] : THAMES AND HUDSON ، 1995 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=25702">Place hold on <em>ART DECO AND MODERNIST CERAMICS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=25702</guid> </item> <item> <title> THE STUDIO / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=25825</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By THE STUDIO LIMITED.<br /> [S.N] : THE STUDIO .<br /> 109 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=25825">Place hold on <em>THE STUDIO / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=25825</guid> </item> <item> <title> HISTORY OF ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=26186</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By JANSON, H.W..<br /> [S.N] : THAMES AND HUDSON ، 1995 .<br /> 856 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=26186">Place hold on <em>HISTORY OF ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=26186</guid> </item> </channel> </rss>
