<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[ Search for 'su:&quot;MUSIC - HISTORY AND CRITICISM&quot;']]> </title> <!-- prettier-ignore-start --> <link> /cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22MUSIC%20-%20HISTORY%20AND%20CRITICISM%22&#38;sort_by=relevance&#38;format=rss </link> <!-- prettier-ignore-end --> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22MUSIC%20-%20HISTORY%20AND%20CRITICISM%22&#38;sort_by=relevance&#38;format=rss" /> <description> <![CDATA[ Search results for 'su:&quot;MUSIC - HISTORY AND CRITICISM&quot;' at ]]> </description> <opensearch:totalResults>12</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22MUSIC%20-%20HISTORY%20AND%20CRITICISM%22&#38;sort_by=relevance&#38;format=opensearchdescription" /> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dsu%253A%2522MUSIC%2520-%2520HISTORY%2520AND%2520CRITICISM%2522" startPage="" /> <item> <title> UNDERSTANDING MUSIC / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=10267</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By YUDKIN, JEREMY.<br /> [S.N] : PERNTICE HELL ، 1996 .<br /> 496 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=10267">Place hold on <em>UNDERSTANDING MUSIC / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=10267</guid> </item> <item> <title> PUTTING POPULAR MUSIC IN ITS PLACE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=10795</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By HAMM, CHARLES.<br /> [S.N] : CAMBRIBGE UNIVERSITY PRESS ، 1995 .<br /> 390 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=10795">Place hold on <em>PUTTING POPULAR MUSIC IN ITS PLACE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=10795</guid> </item> <item> <title> MUSIC ANALYSIS IN THE NINETEETH CENTURY VOLUME IC VOLUME II / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=10870</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BENT, IAN.<br /> [S.N] : CAMBRIDGE UNIVERSITY PRESS ، 1994 .<br /> 299P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=10870">Place hold on <em>MUSIC ANALYSIS IN THE NINETEETH CENTURY VOLUME IC VOLUME II / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=10870</guid> </item> <item> <title> THE MUSIC LIFE OF THE CRYSTAL PALACE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11403</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MUSGRAVE,MICHAEL.<br /> [S.N] : CAMBRIBGE UNIVERSITY PRESS ، 1995 .<br /> 272P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11403">Place hold on <em>THE MUSIC LIFE OF THE CRYSTAL PALACE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11403</guid> </item> <item> <title> The concise Oxford History of Music / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17320</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By ABRAHAM, GERALD.<br /> [S.N] : OXFORD UNIVERSITY PRESS ، 1993 .<br /> 970 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17320">Place hold on <em>The concise Oxford History of Music / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17320</guid> </item> <item> <title> The Cambridge Music Guide / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17324</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By SADIE, STANLEY.<br /> [S.N] : CAMLRIDGE UNIVERSITY PRESS ، 1991 .<br /> 544 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17324">Place hold on <em>The Cambridge Music Guide / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17324</guid> </item> <item> <title> ORIGINIS OF THE POLPULAR STYLE: THE ANTECEDENTS OF TWELEIVTH CENTURY POLPULAR MUSIC / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17605</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By VAN DER MERWE, PETER.<br /> [S.N] : CLARENDON PRESS ، 1992 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17605">Place hold on <em>ORIGINIS OF THE POLPULAR STYLE: THE ANTECEDENTS OF TWELEIVTH CENTURY POLPULAR MUSIC / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17605</guid> </item> <item> <title> THE CAMBRIDGE MUSIC GUIDE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=21525</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By LATHAM, ALISON.<br /> [S.N] : CAMBRIBGE UNIVERSITY PRESS ، 1991 .<br /> 544 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=21525">Place hold on <em>THE CAMBRIDGE MUSIC GUIDE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=21525</guid> </item> <item> <title> HISTOIRE DE LA MUSIQUE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=23238</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By VUILLERMOZ, EMILE.<br /> [S.N] : FAYARD ، 1993 .<br /> 623 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=23238">Place hold on <em>HISTOIRE DE LA MUSIQUE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=23238</guid> </item> <item> <title> MUSIC AND MUSICIANS IN ANCIENT EGYPT / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=25054</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MANNICHE, LISE.<br /> [S.N] : BRITISH MUSEUM PRESS ، 1991 .<br /> 142 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=25054">Place hold on <em>MUSIC AND MUSICIANS IN ANCIENT EGYPT / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=25054</guid> </item> <item> <title> HANS KELLER: ESSAYS ON MUSIC / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=25516</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By WINTLE, CHRISTAPHER.<br /> [S.N] : CAMBRIBGE UNIVERSITY PRESS ، 1995 .<br /> 269 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=25516">Place hold on <em>HANS KELLER: ESSAYS ON MUSIC / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=25516</guid> </item> <item> <title> MUSIC REFERENCE AND RESEARCH MATERIALS: AN AMMATATED BIBLIOGRAPHY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=26164</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By DUCKLES, VICENT H..<br /> [S.N] : SCHIRMER BOOKS ، 1988 .<br /> 714 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=26164">Place hold on <em>MUSIC REFERENCE AND RESEARCH MATERIALS: AN AMMATATED BIBLIOGRAPHY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=26164</guid> </item> </channel> </rss>
