<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[ Search for 'su:&quot;PERFORMANCE ART&quot;']]> </title> <!-- prettier-ignore-start --> <link> /cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22PERFORMANCE%20ART%22&#38;sort_by=relevance&#38;format=rss </link> <!-- prettier-ignore-end --> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22PERFORMANCE%20ART%22&#38;sort_by=relevance&#38;format=rss" /> <description> <![CDATA[ Search results for 'su:&quot;PERFORMANCE ART&quot;' at ]]> </description> <opensearch:totalResults>10</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22PERFORMANCE%20ART%22&#38;sort_by=relevance&#38;format=opensearchdescription" /> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dsu%253A%2522PERFORMANCE%2520ART%2522" startPage="" /> <item> <title> THE MOVIE BOOK </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2717</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By PHAIDON.<br /> انجلترا : PHAIDON ، 1999 .<br /> 32 CM ؛ 512 P.<br /> </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2717">Place hold on <em>THE MOVIE BOOK</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2717</guid> </item> <item> <title> PERFORMANCE ART FROM FUTURISM TO THE PRESENT / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12261</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By GOLDBERG, ROSELEE.<br /> [S.N] : GULDEN, RUSELEE ، 1995 .<br /> 216P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12261">Place hold on <em>PERFORMANCE ART FROM FUTURISM TO THE PRESENT / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12261</guid> </item> <item> <title> ESSENTIAL GUIDE TO MAKING THEATRE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=13313</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By FREDMAN, RICHARD.<br /> [S.N] : HODDER AND STOUGHTON ، 1996 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=13313">Place hold on <em>ESSENTIAL GUIDE TO MAKING THEATRE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=13313</guid> </item> <item> <title> THE ACTOR AND HIS BODY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17628</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By PISK, LITZ.<br /> [S.N] : VIRGIN BOOKS ، 1990 .<br /> 95 P P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17628">Place hold on <em>THE ACTOR AND HIS BODY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17628</guid> </item> <item> <title> THE ACTOR AND TEXT / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17631</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BERRY, C. CELY.<br /> [S.N] : VIRGIN BOOKS ، 1992 .<br /> 303 P P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17631">Place hold on <em>THE ACTOR AND TEXT / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17631</guid> </item> <item> <title> THE DYNAMICS OF ACTING / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17668</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By SNYDER, JOAN.<br /> [S.N] : NATIONAL TEXTBOOK COMPANY .<br /> 196 P P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17668">Place hold on <em>THE DYNAMICS OF ACTING / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17668</guid> </item> <item> <title> INDIAN CLASSICAL MUSIC / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17691</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BOSE, SUNIL.<br /> [S.N] : VIKAS PAPERBACKS ، 1993 .<br /> 160 p </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17691">Place hold on <em>INDIAN CLASSICAL MUSIC / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17691</guid> </item> <item> <title> OPERA THROUGH OTHER EYES / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17792</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By LEVIN, DAVID J.<br /> [S.N] : ST ANFORD UNIVERISTY PRESS ، 1994 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17792">Place hold on <em>OPERA THROUGH OTHER EYES / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17792</guid> </item> <item> <title> PRODUCING POP: CULTURE AND CONFLICT IN THE POPULR MUSIC INDUSTRY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17844</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By NEGUS, KEITH.<br /> [S.N] : EDWARD ARNOLD ، 1992 .<br /> 175 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17844">Place hold on <em>PRODUCING POP: CULTURE AND CONFLICT IN THE POPULR MUSIC INDUSTRY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17844</guid> </item> <item> <title> THE THEORY OF THE MODERN STAGE: AN INTRODUCTION TO MODERN THEATRE AND DRAMA / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17912</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BENTLEY, ERIC.<br /> [S.N] : PENGUIM PRESS ، 1992 .<br /> 498 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17912">Place hold on <em>THE THEORY OF THE MODERN STAGE: AN INTRODUCTION TO MODERN THEATRE AND DRAMA / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17912</guid> </item> </channel> </rss>
