<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[ Search for 'su:&quot;RENAISSANCE PERIOD&quot;']]> </title> <!-- prettier-ignore-start --> <link> /cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22RENAISSANCE%20PERIOD%22&#38;sort_by=relevance&#38;format=rss </link> <!-- prettier-ignore-end --> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22RENAISSANCE%20PERIOD%22&#38;sort_by=relevance&#38;format=rss" /> <description> <![CDATA[ Search results for 'su:&quot;RENAISSANCE PERIOD&quot;' at ]]> </description> <opensearch:totalResults>17</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22RENAISSANCE%20PERIOD%22&#38;sort_by=relevance&#38;format=opensearchdescription" /> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dsu%253A%2522RENAISSANCE%2520PERIOD%2522" startPage="" /> <item> <title> FURNITURE 1 : PREHISTORIC THROUGH ROCOCO / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=9324</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BISHOP, ROBERT H..<br /> فرنسا : THE SMITHSONIAN INSTITUTION CITY ، 1979 .<br /> 28 CM ؛ 128 P.<br /> </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=9324">Place hold on <em>FURNITURE 1 : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=9324</guid> </item> <item> <title> IL PATRAMUELO DI JUAN TIMONEDA E L'ELEMENTO ARABO NELLA NAVELLA ITALIAMA E SPAGMOLA DEL RIMASCIMENTO / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12418</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By CERULLI, ENRICO.<br /> [S.N] : ACCADEMIA NAZIONALE DEI LINCEI ، 1955 .<br /> 82 - 181 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12418">Place hold on <em>IL PATRAMUELO DI JUAN TIMONEDA E L'ELEMENTO ARABO NELLA NAVELLA ITALIAMA E SPAGMOLA DEL RIMASCIMENTO / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12418</guid> </item> <item> <title> THE CAMBRDIGE COMPANION TO RENAISSANCE HUMANISM / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=13626</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By KRAYE, JILL.<br /> [S.N] : CAMBRIDGE UNIVERSITY PRESS ، 1996 .<br /> 320 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=13626">Place hold on <em>THE CAMBRDIGE COMPANION TO RENAISSANCE HUMANISM / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=13626</guid> </item> <item> <title> THE PANORAMA OF THE RENAISSANCE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=14481</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By ASTON, MARGARET.<br /> [S.N] : THAMES AND HUDSON ، 1996 .<br /> 376 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=14481">Place hold on <em>THE PANORAMA OF THE RENAISSANCE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=14481</guid> </item> <item> <title> COLOR AND MEANING: PRACTICE AND THEORY IN RENAISSANCE PAINTING / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17504</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By HALL,MARCIA B..<br /> [S.N] : CAMBRIBGE UNIVERSITY PRESS ، 1992 .<br /> 274 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17504">Place hold on <em>COLOR AND MEANING: PRACTICE AND THEORY IN RENAISSANCE PAINTING / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17504</guid> </item> <item> <title> THE HIGH RENAISSANCE AND MANNERISM:ITALY THE NORTH AND SPAIN 1500-1600 / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18783</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MURRAY,LINDA.<br /> [S.N] : THAMES AND HUDSON ، 1993 .<br /> 287 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18783">Place hold on <em>THE HIGH RENAISSANCE AND MANNERISM:ITALY THE NORTH AND SPAIN 1500-1600 / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18783</guid> </item> <item> <title> THE RENAISSANCE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18880</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By COLE, ALSON.<br /> [S.N] : DORLING KINDERSLEY ، 1994 .<br /> 64 PP </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18880">Place hold on <em>THE RENAISSANCE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18880</guid> </item> <item> <title> GOTHIC AND RENAISSANCE ART IN NURENBERG 1300 - 1550 / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=19007</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By METROPOLITAN MUSEUM OF ART, NEW YORK.<br /> [S.N] : PRESTEL- VERLAG ، 1986 .<br /> 499 PP </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=19007">Place hold on <em>GOTHIC AND RENAISSANCE ART IN NURENBERG 1300 - 1550 / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=19007</guid> </item> <item> <title> HISTOIRE DE L'ART: ART ROMAN ART GOTHIQUE, RENAISSANCE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=19337</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By TERRASSE, CHARLES.<br /> [S.N] : HENRI LOVRENS ، 1950 .<br /> 256 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=19337">Place hold on <em>HISTOIRE DE L'ART: ART ROMAN ART GOTHIQUE, RENAISSANCE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=19337</guid> </item> <item> <title> A CONCISE HISTORY OF ART, PART II FROM THE RENAISSANCE TO THE PRESENT DAY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=19385</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BAZIN, GERMAIN.<br /> [S.N] : THAMES AND HUDSON .<br /> 543 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=19385">Place hold on <em>A CONCISE HISTORY OF ART, PART II FROM THE RENAISSANCE TO THE PRESENT DAY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=19385</guid> </item> <item> <title> THE ART OF THE RENAISSANCE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=19490</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MURRAY, PETER.<br /> [S.N] : THAMES AND HUDSON ، 1963 .<br /> 286 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=19490">Place hold on <em>THE ART OF THE RENAISSANCE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=19490</guid> </item> <item> <title> LA RENAISSANCE: ALBIM D'IMAGES COMMENTEES / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=19505</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By HOURTICO, LOWIS.<br /> [S.N] : LIBRAIRIE HACHETTE .<br /> 62 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=19505">Place hold on <em>LA RENAISSANCE: ALBIM D'IMAGES COMMENTEES / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=19505</guid> </item> <item> <title> SIGNS &amp; SYMBOLS IN CHRISTIAN ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=20610</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By FERGUSON, GEORGE.<br /> [S.N] : A HESPERIDES BOOK ، 1961 .<br /> 192 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=20610">Place hold on <em>SIGNS &amp; SYMBOLS IN CHRISTIAN ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=20610</guid> </item> <item> <title> CIVILISATION DE LA RENAINASSANCE EN ITALIE-TOME II / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=23419</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BURCKHARDT, JOHN LEWIS.<br /> [S.N] : LE LIVRE DE POCHE .<br /> 443 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=23419">Place hold on <em>CIVILISATION DE LA RENAINASSANCE EN ITALIE-TOME II / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=23419</guid> </item> <item> <title> L'ITALIE DE LA RENAISSACE: UN MONDE EN MUTATION 1378-1494 / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=24940</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By CLOULAS, IVAN.<br /> [S.N] : FAYARD ، 1990 .<br /> 398 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=24940">Place hold on <em>L'ITALIE DE LA RENAISSACE: UN MONDE EN MUTATION 1378-1494 / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=24940</guid> </item> <item> <title> SPEAKING PICTURES: ENGLISH EMBLEM BOOKS AND RENAISSANCE CULTURE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=25151</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BATH, MICHAEL.<br /> [S.N] : LONGMAN ، 1993 .<br /> 311 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=25151">Place hold on <em>SPEAKING PICTURES: ENGLISH EMBLEM BOOKS AND RENAISSANCE CULTURE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=25151</guid> </item> <item> <title> L'ART DE LA RENAISSANCE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=25535</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By SUREDA, JOHN.<br /> [S.N] : LAROUSSE ، 1991 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=25535">Place hold on <em>L'ART DE LA RENAISSANCE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=25535</guid> </item> </channel> </rss>
