<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[ Search for 'su:&quot;THEATER&quot;']]> </title> <!-- prettier-ignore-start --> <link> /cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22THEATER%22&#38;sort_by=relevance&#38;format=rss </link> <!-- prettier-ignore-end --> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22THEATER%22&#38;sort_by=relevance&#38;format=rss" /> <description> <![CDATA[ Search results for 'su:&quot;THEATER&quot;' at ]]> </description> <opensearch:totalResults>109</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22THEATER%22&#38;sort_by=relevance&#38;format=opensearchdescription" /> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dsu%253A%2522THEATER%2522" startPage="" /> <item> <title> THEATERS </title> <dc:identifier>ISBN:1 86470 027 0</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1038</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> نيويورك : IMAGES PUBLISHING ، 2000 .<br /> 28 CM ؛ 220 P.<br /> 1 86470 027 0 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1038">Place hold on <em>THEATERS</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1038</guid> </item> <item> <title> DIRECTING FOR THE STAGE / </title> <dc:identifier>ISBN:288046661X</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6626</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By IRVIN, POLLY.<br /> سويسرا : ROTOVISION SA ، 2003 .<br /> 32 CM ؛ 179 P.<br /> 288046661X </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6626">Place hold on <em>DIRECTING FOR THE STAGE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6626</guid> </item> <item> <title> RESTARATION COMECTY IN PERFOEMANCE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=10277</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By STYAN, J.L..<br /> [S.N] : CAMBRIBGE UNIVERSITY PRESS ، 1989 .<br /> 271 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=10277">Place hold on <em>RESTARATION COMECTY IN PERFOEMANCE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=10277</guid> </item> <item> <title> THE CAMBRIDGE GUIDE TO THEATRE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=10311</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BANHAM, MARTIN.<br /> [S.N] : CAMBRIBGE UNIVERSITY PRESS ، 1995 .<br /> 1233 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=10311">Place hold on <em>THE CAMBRIDGE GUIDE TO THEATRE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=10311</guid> </item> <item> <title> IMAGES OF THE GREEK THEATRE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=10871</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By GREEN, RICHARD.<br /> [S.N] : BRITISH MUSEUM PRESS ، 1995 .<br /> 127P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=10871">Place hold on <em>IMAGES OF THE GREEK THEATRE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=10871</guid> </item> <item> <title> THE CAMBRIDGE GUIDE TO AFRICAN AND CARIBBEAN THEATRE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=10967</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BANHAM, MARTIN.<br /> [S.N] : CAMBRIBGE UNIVERSITY PRESS ، 1994 .<br /> 261 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=10967">Place hold on <em>THE CAMBRIDGE GUIDE TO AFRICAN AND CARIBBEAN THEATRE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=10967</guid> </item> <item> <title> THE PENGUIN DICTIONARY OF THE THEATRE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11127</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By TAYLOR, JOHN RUSSELL.<br /> [S.N] : PENGUIN BOOKS ، 1993 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11127">Place hold on <em>THE PENGUIN DICTIONARY OF THE THEATRE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11127</guid> </item> <item> <title> THE ATRE AND GOVERNMEMT UNDER:THE EARIY STUATS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11379</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MULRYNE,J.R.<br /> [S.N] : CAMBRIBGE UNIVERSITY PRESS ، 1993 .<br /> 271P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11379">Place hold on <em>THE ATRE AND GOVERNMEMT UNDER:THE EARIY STUATS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11379</guid> </item> <item> <title> THE THEATRE IN NINETEENT CENTURY SPAIN </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11398</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> [S.N] : CAMBRIDGE UNIVERSITY PRESS ، 1994 .<br /> 392P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11398">Place hold on <em>THE THEATRE IN NINETEENT CENTURY SPAIN</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11398</guid> </item> <item> <title> THEATRE AND REFORMATION:PRATESTANTION,PATRONGE AND PIAYING IN TUDOR ENGLAD </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11401</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> [S.N] : CAMBRIBGE UNIVERSITY PRESS ، 1993 .<br /> 268P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11401">Place hold on <em>THEATRE AND REFORMATION:PRATESTANTION,PATRONGE AND PIAYING IN TUDOR ENGLAD</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11401</guid> </item> <item> <title> RESTORATION COMDEY IN PERFORMANCE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11554</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By STYAN, J.L..<br /> [S.N] : CAMBRIDGE UNIVERSITY PRESS ، 1986 .<br /> 271 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11554">Place hold on <em>RESTORATION COMDEY IN PERFORMANCE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11554</guid> </item> <item> <title> STAGE RIGHT : CRISIS AND RECOVERY IN BRITISH CONTEMPOARY MAINSTREAM THEATRE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11803</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BULL, JOHN.<br /> [S.N] : MACMILLAN ، 1994 .<br /> 251 P P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11803">Place hold on <em>STAGE RIGHT : CRISIS AND RECOVERY IN BRITISH CONTEMPOARY MAINSTREAM THEATRE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11803</guid> </item> <item> <title> PERIOD MAKE - UP FOR THE STAGE: STEP BY STEP / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11846</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By SWINFIELD, ROSEMARE.<br /> [S.N] : BETTERWAY BOOKS ، 1997 .<br /> 127 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11846">Place hold on <em>PERIOD MAKE - UP FOR THE STAGE: STEP BY STEP / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11846</guid> </item> <item> <title> INTERNATIONAL MODERN PLAYS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11878</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By COCTEAU, JEAN.<br /> [S.N] : J.M DENT &amp; SONS LTD ، 1961 .<br /> 304 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11878">Place hold on <em>INTERNATIONAL MODERN PLAYS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11878</guid> </item> <item> <title> SALOME AND OTHER PLAYS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=11879</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By WILDE, OSCAR.<br /> [S.N] : PENGUIN BOOKS .<br /> 251 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=11879">Place hold on <em>SALOME AND OTHER PLAYS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=11879</guid> </item> <item> <title> THE CAMBRIDGE GUIDE TO ASIAN THEATRE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12045</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BRANDON, JAMES R.<br /> .<br /> 252P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12045">Place hold on <em>THE CAMBRIDGE GUIDE TO ASIAN THEATRE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12045</guid> </item> <item> <title> BREWERS THE ATRE: A PHRASE AND FABLE DICTIONARY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12075</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By LAW, JONATHA.<br /> [S.N] : CASSELL BOOK ، 1994 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12075">Place hold on <em>BREWERS THE ATRE: A PHRASE AND FABLE DICTIONARY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12075</guid> </item> <item> <title> THE THEATRE IN POLAND / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12169</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By SZYDLOWSRI, ROMAN.<br /> [S.N] : INTERPRSS PUBLISHERS ، 1972 .<br /> 176P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12169">Place hold on <em>THE THEATRE IN POLAND / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12169</guid> </item> <item> <title> OLGSSE: THEATRE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12499</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MOHAMED DAIF.<br /> [S.N] : ENTERPRISE NATIONAL DU LIVER ، 1989 .<br /> 120 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12499">Place hold on <em>OLGSSE: THEATRE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12499</guid> </item> <item> <title> HOW TO PRODUCE A PLAY: FOR THE AMATEUR STAGE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12631</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By DAY, DORIS M..<br /> [S.N] : ALLYN AND BACON ، 1990 .<br /> 149 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12631">Place hold on <em>HOW TO PRODUCE A PLAY: FOR THE AMATEUR STAGE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12631</guid> </item> <item> <title> THE CAMBRIDGE COMPANION TO MEDIEVAL ENGLISH THEATRE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12737</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BEADLE, RICHARD.<br /> [S.N] : CAMBRIDGE UNIVERSITY PRESS ، 1995 .<br /> 372 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12737">Place hold on <em>THE CAMBRIDGE COMPANION TO MEDIEVAL ENGLISH THEATRE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12737</guid> </item> <item> <title> BLUEPRINTS FOR A BLACK FEDERAL THEATRE 1935 - 1939 / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12740</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By FRADEN, RENA.<br /> [S.N] : CAMBRIDGE UNIVERSITY PRESS ، 1944 .<br /> 246 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12740">Place hold on <em>BLUEPRINTS FOR A BLACK FEDERAL THEATRE 1935 - 1939 / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12740</guid> </item> <item> <title> LA CELESTINA COMEDIA O TRAGICOEDIA DE CALISTO Y MELIBEA / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=12816</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By DE ROJAS,FERNANDO.<br /> [S.N] : CLASICO CASTALIA ، 1993 .<br /> 634 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=12816">Place hold on <em>LA CELESTINA COMEDIA O TRAGICOEDIA DE CALISTO Y MELIBEA / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=12816</guid> </item> <item> <title> ESSENTIAL GUIDE TO MAKING THEATRE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=13313</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By FREDMAN, RICHARD.<br /> [S.N] : HODDER AND STOUGHTON ، 1996 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=13313">Place hold on <em>ESSENTIAL GUIDE TO MAKING THEATRE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=13313</guid> </item> <item> <title> THEATER WORLD 1994 - 1995 SEASON VOLUME 51 / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=13434</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By WILLIS, JOHN.<br /> [S.N] : APPLAUSE ، 1997 .<br /> 272 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=13434">Place hold on <em>THEATER WORLD 1994 - 1995 SEASON VOLUME 51 / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=13434</guid> </item> <item> <title> THE EGYPTIAN THEATRE IN THE NINETEENTH CENTURY ( 1799 - 1882 ) / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=14109</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By SADAGROVE, P.C.<br /> [S.N] : ITHACA PRESS ، 1996 .<br /> 214 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=14109">Place hold on <em>THE EGYPTIAN THEATRE IN THE NINETEENTH CENTURY ( 1799 - 1882 ) / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=14109</guid> </item> <item> <title> REVOLUTIONARY THEATRE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=14134</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By LEACH, ROBERT.<br /> [S.N] : ROUTLEDGE ، 1994 .<br /> 229 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=14134">Place hold on <em>REVOLUTIONARY THEATRE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=14134</guid> </item> <item> <title> THEATRE IN VIENNA A CRITICAL HISTORY, 1776 - 1995 / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=14187</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By GATES, W.E.<br /> [S.N] : CAMBRIDGE UNIVERSITY PRESS ، 1996 .<br /> 328 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=14187">Place hold on <em>THEATRE IN VIENNA A CRITICAL HISTORY, 1776 - 1995 / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=14187</guid> </item> <item> <title> ETUDES SUR LE THEATRE ET LE CINEMA / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15347</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By LANDAU, JACOB M ..<br /> [S.N] : G.P. MAISONNEUVET ET LAROSE ، 1965 .<br /> 260 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15347">Place hold on <em>ETUDES SUR LE THEATRE ET LE CINEMA / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15347</guid> </item> <item> <title> GERMAN THEATRE TODAY: PLAYS, PRODUCERS, ACTORS, BUILDING 1960 - 67: A SELECTION FROM THE PERIODICAL THEATER HEUTE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15579</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By FRIEDRICH VERLAG.<br /> [S.N] : FRIEDRICH VERLAG ، 1967 .<br /> 201 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15579">Place hold on <em>GERMAN THEATRE TODAY: PLAYS, PRODUCERS, ACTORS, BUILDING 1960 - 67: A SELECTION FROM THE PERIODICAL THEATER HEUTE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15579</guid> </item> <item> <title> LES TERMS CLES DE L,ANNALYSE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15645</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By UBERSFELD, ANNE.<br /> [S.N] : EDITIONS DU SEUIL ، 1996 .<br /> 87 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15645">Place hold on <em>LES TERMS CLES DE L,ANNALYSE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15645</guid> </item> <item> <title> DESIGNING FOR THE THEATRE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15667</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By REID, FRANCISE.<br /> [S.N] : A AND C BLACK LIMITED ، 1996 .<br /> 106 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15667">Place hold on <em>DESIGNING FOR THE THEATRE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15667</guid> </item> <item> <title> EFFECTS FOR THE THEATRE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15678</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By WALNE, GRAHAM.<br /> [S.N] : A AND C BLACK LIMITED ، 1995 .<br /> 150 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15678">Place hold on <em>EFFECTS FOR THE THEATRE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15678</guid> </item> <item> <title> AMATEUR DRAMATICS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15682</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By CASSIN - SCOTT, JACK.<br /> [S.N] : CASSELL ، 1992 .<br /> 144 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15682">Place hold on <em>AMATEUR DRAMATICS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15682</guid> </item> <item> <title> CHILDREN'S DRAMA : THE USE OF RESOURCES IN THE DEVELOPMENT OF LEARNING THROUGH DRAMA IN EDUCATION / </title> <dc:identifier>ISBN:9771800353</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15752</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MOHAMED ABOU EL KHIR.<br /> القاهرة : THE DOCUMENTATION AND RESEARCH CENTER FOR CHILDREN'S LITERATURE ، 1996 .<br /> 22CM ؛ 290 P.<br /> 9771800353 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15752">Place hold on <em>CHILDREN'S DRAMA : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15752</guid> </item> <item> <title> STAGING A PANTOIMIME / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15758</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By DAVIES, GILL.<br /> [S.N] : A AND C BLACK LIMITED ، 1995 .<br /> 149 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15758">Place hold on <em>STAGING A PANTOIMIME / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15758</guid> </item> <item> <title> DRAWING SCENERY AND FOR THEATER, FILM AND TELEVISION / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15795</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By ROSE, RICH.<br /> [S.N] : BETTERWAY BOOKS ، 1994 .<br /> 168 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15795">Place hold on <em>DRAWING SCENERY AND FOR THEATER, FILM AND TELEVISION / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15795</guid> </item> <item> <title> SHAKESPEARE'S THEATER / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15800</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By THOMSON, PETER.<br /> [S.N] : ROUTLEDGE ، 1997 .<br /> 199 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15800">Place hold on <em>SHAKESPEARE'S THEATER / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15800</guid> </item> <item> <title> THEATER AT THE CROSSROADS OF CULTURE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15806</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By PAVIS, PATRICE.<br /> [S.N] : ROUTLEDGE ، 1992 .<br /> 219 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15806">Place hold on <em>THEATER AT THE CROSSROADS OF CULTURE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15806</guid> </item> <item> <title> BREWER'S THEATER : A PHRASE AND FABLE DICTIONTARY / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15807</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By USTINOV, PETER.<br /> [S.N] : CASSELL ، 1994 .<br /> 513 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15807">Place hold on <em>BREWER'S THEATER : A PHRASE AND FABLE DICTIONTARY / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15807</guid> </item> <item> <title> THE STAGE LIGHTING HANDBOOK / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15808</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By REID, FRANCISE.<br /> [S.N] : A AND C BLACK LIMITED ، 1996 .<br /> 221 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15808">Place hold on <em>THE STAGE LIGHTING HANDBOOK / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15808</guid> </item> <item> <title> STAGE CRAFTS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15833</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By HOGGETT, CHRIS.<br /> [S.N] : A AND C BLACK LIMITED ، 1991 .<br /> 282 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15833">Place hold on <em>STAGE CRAFTS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15833</guid> </item> <item> <title> CREATE YOUR OWN STAGE SETS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15841</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By THOMAS, TERRY.<br /> [S.N] : A AND C BLACK LIMITED ، 1997 .<br /> 192 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15841">Place hold on <em>CREATE YOUR OWN STAGE SETS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15841</guid> </item> <item> <title> IN THE THEATER OF CONSCIOUSNESS: THE WORK SPACE OF THE MIND / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15944</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BAARS, BERNARD J..<br /> [S.N] : OXFORD UNIVERSITY PRESS ، 1997 .<br /> 193 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15944">Place hold on <em>IN THE THEATER OF CONSCIOUSNESS: THE WORK SPACE OF THE MIND / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15944</guid> </item> <item> <title> SPEECH FOR THE STAGE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15974</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MACHLIN, EVANGELLINE.<br /> [S.N] : ROUTLEDGE ، 1992 .<br /> 254 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15974">Place hold on <em>SPEECH FOR THE STAGE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15974</guid> </item> <item> <title> LA COMEDIE SOCIALE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=16108</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By FEUERHAHN, NELLY.<br /> [S.N] : CULTURE ET SOCIETE ، 1997 .<br /> 185 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=16108">Place hold on <em>LA COMEDIE SOCIALE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=16108</guid> </item> <item> <title> CLASSICAL AUDITION SPEECHES FOR MEN / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=16163</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MARLOW, JEAN.<br /> [S.N] : A AND C BLACK LIMITED ، 1996 .<br /> 133 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=16163">Place hold on <em>CLASSICAL AUDITION SPEECHES FOR MEN / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=16163</guid> </item> <item> <title> CREATE YOUR OWN STAGE PROPS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=16209</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By GOVIER, JACQUIE.<br /> [S.N] : A AND C BLACK LIMITED ، 1997 .<br /> 192 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=16209">Place hold on <em>CREATE YOUR OWN STAGE PROPS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=16209</guid> </item> <item> <title> LA LITTERATURE ARABE CONTMPORARIE: ROMAN NOUVELLE - THEATRE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=16268</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By TOMICHE, NADA.<br /> [S.N] : EDITIONS MAISONNEWUE ET LAROUSS ، 1993 .<br /> 162 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=16268">Place hold on <em>LA LITTERATURE ARABE CONTMPORARIE: ROMAN NOUVELLE - THEATRE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=16268</guid> </item> <item> <title> AN INTRODUCTION TO THEATRE &amp; DRAMA. / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17211</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By CASSADY, MARSHALL.<br /> [S.N] : NATIONAL TEXTBOOK COMPANY ، 1988 .<br /> 617 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17211">Place hold on <em>AN INTRODUCTION TO THEATRE &amp; DRAMA. / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17211</guid> </item> </channel> </rss>
