<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[ Search for 'su:&quot;THEATER&quot;']]> </title> <!-- prettier-ignore-start --> <link> /cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22THEATER%22&#38;sort_by=relevance&#38;format=rss </link> <!-- prettier-ignore-end --> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22THEATER%22&#38;sort_by=relevance&#38;format=rss" /> <description> <![CDATA[ Search results for 'su:&quot;THEATER&quot;' at ]]> </description> <opensearch:totalResults>109</opensearch:totalResults> <opensearch:startIndex>40</opensearch:startIndex> <opensearch:itemsPerPage>20</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22THEATER%22&#38;sort_by=relevance&#38;format=opensearchdescription" /> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dsu%253A%2522THEATER%2522" startPage="" /> <item> <title> THE STAGE LIGHTING HANDBOOK / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15808</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By REID, FRANCISE.<br /> [S.N] : A AND C BLACK LIMITED ، 1996 .<br /> 221 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15808">Place hold on <em>THE STAGE LIGHTING HANDBOOK / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15808</guid> </item> <item> <title> STAGE CRAFTS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15833</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By HOGGETT, CHRIS.<br /> [S.N] : A AND C BLACK LIMITED ، 1991 .<br /> 282 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15833">Place hold on <em>STAGE CRAFTS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15833</guid> </item> <item> <title> CREATE YOUR OWN STAGE SETS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15841</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By THOMAS, TERRY.<br /> [S.N] : A AND C BLACK LIMITED ، 1997 .<br /> 192 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15841">Place hold on <em>CREATE YOUR OWN STAGE SETS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15841</guid> </item> <item> <title> IN THE THEATER OF CONSCIOUSNESS: THE WORK SPACE OF THE MIND / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15944</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BAARS, BERNARD J..<br /> [S.N] : OXFORD UNIVERSITY PRESS ، 1997 .<br /> 193 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15944">Place hold on <em>IN THE THEATER OF CONSCIOUSNESS: THE WORK SPACE OF THE MIND / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15944</guid> </item> <item> <title> SPEECH FOR THE STAGE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=15974</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MACHLIN, EVANGELLINE.<br /> [S.N] : ROUTLEDGE ، 1992 .<br /> 254 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=15974">Place hold on <em>SPEECH FOR THE STAGE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=15974</guid> </item> <item> <title> LA COMEDIE SOCIALE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=16108</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By FEUERHAHN, NELLY.<br /> [S.N] : CULTURE ET SOCIETE ، 1997 .<br /> 185 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=16108">Place hold on <em>LA COMEDIE SOCIALE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=16108</guid> </item> <item> <title> CLASSICAL AUDITION SPEECHES FOR MEN / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=16163</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By MARLOW, JEAN.<br /> [S.N] : A AND C BLACK LIMITED ، 1996 .<br /> 133 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=16163">Place hold on <em>CLASSICAL AUDITION SPEECHES FOR MEN / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=16163</guid> </item> <item> <title> CREATE YOUR OWN STAGE PROPS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=16209</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By GOVIER, JACQUIE.<br /> [S.N] : A AND C BLACK LIMITED ، 1997 .<br /> 192 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=16209">Place hold on <em>CREATE YOUR OWN STAGE PROPS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=16209</guid> </item> <item> <title> LA LITTERATURE ARABE CONTMPORARIE: ROMAN NOUVELLE - THEATRE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=16268</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By TOMICHE, NADA.<br /> [S.N] : EDITIONS MAISONNEWUE ET LAROUSS ، 1993 .<br /> 162 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=16268">Place hold on <em>LA LITTERATURE ARABE CONTMPORARIE: ROMAN NOUVELLE - THEATRE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=16268</guid> </item> <item> <title> AN INTRODUCTION TO THEATRE &amp; DRAMA. / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17211</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By CASSADY, MARSHALL.<br /> [S.N] : NATIONAL TEXTBOOK COMPANY ، 1988 .<br /> 617 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17211">Place hold on <em>AN INTRODUCTION TO THEATRE &amp; DRAMA. / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17211</guid> </item> <item> <title> The Cambridge guide to World Theatre / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17276</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BANHAN, MARTIN.<br /> [S.N] : CAMLRIDGE UNIVERSITY PRESS ، 1982 .<br /> 1104 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17276">Place hold on <em>The Cambridge guide to World Theatre / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17276</guid> </item> <item> <title> THEATRE, THE HUMAN ART / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17356</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By SMILEY, SAM.<br /> [S.N] : HARPO &amp;PUBLISHERS ، 1987 .<br /> 418 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17356">Place hold on <em>THEATRE, THE HUMAN ART / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17356</guid> </item> <item> <title> CONCRETE SOUND AND LIGHTING SYSTEMS / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17496</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By VASEY, JOHN.<br /> [S.N] : FOCAL PRESS ، 1988 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17496">Place hold on <em>CONCRETE SOUND AND LIGHTING SYSTEMS / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17496</guid> </item> <item> <title> The Magic of Theater: Behind the Scenes with Today's Leading Actors. / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17566</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BLACK, DAVID.<br /> [S.N] : MACMILIAN PUBLISHING COMPANY ، 1993 .<br /> 398 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17566">Place hold on <em>The Magic of Theater: Behind the Scenes with Today's Leading Actors. / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17566</guid> </item> <item> <title> Theatre in Britain: Apersonal View / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17669</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By HOBSON, SIR.<br /> [S.N] : PHAIDON ، 1984 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17669">Place hold on <em>Theatre in Britain: Apersonal View / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17669</guid> </item> <item> <title> HAMLET / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17697</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By SHAKESPEARE, WILLIAM.<br /> [S.N] : ROUTLEDGE ، 1982 .<br /> 574 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17697">Place hold on <em>HAMLET / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17697</guid> </item> <item> <title> THE THEORY OF THE MODERN STAGE: AN INTRODUCTION TO MODERN THEATRE AND DRAMA / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=17912</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By BENTLEY, ERIC.<br /> [S.N] : PENGUIM PRESS ، 1992 .<br /> 498 P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=17912">Place hold on <em>THE THEORY OF THE MODERN STAGE: AN INTRODUCTION TO MODERN THEATRE AND DRAMA / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=17912</guid> </item> <item> <title> VOLPONE / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18150</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By JONSON, BEN.<br /> [S.N] : YORK PRESS ، 1988 .<br /> 199 P P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18150">Place hold on <em>VOLPONE / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18150</guid> </item> <item> <title> EVERY MAN </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18156</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> [S.N] : YORK PRESS ، 1989 .<br /> 57 PP </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18156">Place hold on <em>EVERY MAN</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18156</guid> </item> <item> <title> THE IMPORTANCE OF BEING EARNEST / </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18159</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By WILDE, OSCAR.<br /> [S.N] : YORK PRESS ، 1986 .<br /> 113 P P </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18159">Place hold on <em>THE IMPORTANCE OF BEING EARNEST / </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18159</guid> </item> </channel> </rss>
